Kinosonik logo

Hi. I work at the intersection of sound, operations and systems.

After three decades in live events and AV — from hands-on engineering to leading large-scale productions — my focus today is building resilient teams, optimising structures and aligning technical execution with business strategy.

I design sound · I build systems · I refine processes.

Currently Technical Director at El Molino (Barcelona)
and founder/developer of Kinosonik Riders.

About

I focus on operational structure in environments where complexity is the norm.

My work sits at the intersection of technology, teams and decision-making — designing systems that reduce fragility, improve efficiency and align execution with strategic objectives.
Over time, my role has evolved from hands-on engineering to building resilient operational frameworks that scale and adapt.

Kinosonik has been my umbrella for years — a space where technical depth and operational thinking converge. The goal is simple: create clarity in complex environments, without sacrificing performance or momentum.

El Molino

Reopened in October 2024, El Molino has positioned itself as one of the most technically precise live-sound venues in Barcelona.
The venue was redesigned around d&b Soundscape, supported by an SSL Live L100+ and a DANTE/MADI infrastructure fully integrated with the d&b DS100 engine — creating a spatially coherent environment rarely found in venues of this scale.

My responsibility goes beyond technology itself: ensuring operational consistency, maintaining system performance at the highest standard and aligning technical capability with artistic and production demands.

The objective is not only excellence in sound, but structural reliability — sustaining a venue where complexity is managed and performance remains predictable under pressure.

Kinosonik

Kinosonik is not a company in the corporate sense. It's simply the name I use to frame the work I do: a mixture of live sound, technical direction, systems design and, more recently, building tools for people who live around stages.

The idea has always been the same: if we can make communication clearer and the technical layer more honest, rehearsals and shows tend to go better for everyone — artists, crews and audiences.

Kinosonik Riders

Out of that same need, I started building Kinosonik Riders.

It's a web tool where technicians can upload their PDF rider, have it analysed and, if it meets a set of criteria, get a validation seal attached to it. The seal carries basic information, integrity checks and a unique link, so venues and festivals can quickly see what they are looking at and whether it is the latest version published by the technician.

The project is being rolled out progressively. If you come across a rider with a Kinosonik seal and want to know more, you can visit riders.kinosonik.com or send an email to riders@kinosonik.com.

Social Media

Follow me on LinkedIn and Instagram for updates on my work and projects.